prose history

The status of prose has changed throughout its history. The early literature of many societies consists mostly of poetry.[citation needed] Early prose was often restricted to mundane and everyday uses, such as legal documents and yearly records. Academic subjects such as philosophy and history were generally written in prose, but fiction does not often appear in prose until much later.[citation needed] Poetry is still often regarded as a higher form of literature than prose, but the relatively recent development of the novel has challenged that view.

Prose was at one time synonymous with dull, unimaginative or laboured writing, and the meaning of the word "prosaic" has developed "containing or characteristic of prose" to "lacking in imagination or spirit; dull."[citation needed] Prose that is too ornate and overblown for its context is called purple prose.

The use of prose as opposed to poetry in Shakespeare distinguishes classes of characters in some plays, and changing mental states and moods of characters in others. In Romeo and Juliet, servants speak in prose. In Othello, Othello shifts from poetry to prose as his suspicion of Desdemona's infidelity increases.

Styles prose

Prose varies considerably depending on the purpose of the writing. As prose is often considered to be representative of the patterns of normal speech, many rhetorical devices are used in prose to emphasize points and enliven the writing. Prose which aims to be informative and accurate, such as history or journalism, usually strives to use the simplest language possible to express its points. Facts are often repeated and reiterated in various ways so that they are understood by a reader, but excessive use of this technique can make a serious piece of writing seem pedantic.

In fiction, prose can take on many forms. Skilled authors can alter how they use prose throughout a book to suggest different moods and ideas. A thriller often consists of short, "punchy" sentences made up of equally short words, suggesting very rapid actions to heighten the effect of a very fast-moving plot. Conversely, longer sentences can be used to slow down the action of a novel.

When a poem is translated from one language into another (particularly an epic poem) the poem is often converted into prose. Not only does this allow the reader to understand the plot more easily, but it allows the translator to exercise less unwelcome creative input. A translation should be an unchanged representation of the sense of the original; to impose the rhyme and meter structures of a different language is likely to significantly alter the poem.

Prose

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Prose is writing distinguished from poetry by its greater variety of rhythm and its closer resemblance to the patterns of everyday speech. The word prose comes from the Latin prosa, meaning straightforward, hence the term "prosaic," which is often seen as pejorative. Prose describes the type of writing that prose embodies, unadorned with obvious stylistic devices. Prose writing is usually adopted for the description of facts or the discussion of whatever one's thoughts are, incorporated in free flowing speech. Thus, it may be used for newspapers, capers, magazines, encyclopedias, broadcast media, films, letters, debtor's notes, famous quotes, murder mystery, history, philosophy, biography, linguistic geography and many other forms of media.

Prose generally lacks the formal structure of meter or rhyme that is often found in poetry. Although some works of prose may happen to contain traces of metrical structure or versification, a conscious blend of the two forms of literature is known as a prose poem. Similarly, poetry with less of the common rules and limitations of verse is known as free verse. Poetry is considered to be artificially developed ("The best words in the best order"), whereas prose is thought to be less constructed and more reflective of ordinary speech. Pierre de Ronsard, the French poet, said that his training as a poet had proved to him that prose and poetry were mortal enemies. In Molière's play Le Bourgeois Gentilhomme, Monsieur Jourdain asks something to be written in neither verse nor prose. A philosophy master says to him, "Sir, there is no other way to express oneself than with prose or verse". Jourdain replies, "By my faith! For more than forty years I have been speaking prose without knowing anything about it, and I am much obliged to you for having taught me that."